MP3) sources being converted to broadcast wave files prior to submission, as upconverting the source to 16bit/48kHz prior to import in to Resolve has no affect on the playback behaviour within Resolve. I suspect the issue may have something to do with lossy (e.g. Patching the Oscillator and running sinusoidal tone through the "Control Room Monitor Out" matches the same signal routed through the "Control Room Monitor Direct", so Resolve's internal gain structure is correct and within spec - so the above workaround should have no effect, yet it does in my tests. The above workaround allows 1:1 digital copies to be produced with the stem recorders, with Resolve as the playout system, with the same source audio. Control Room Direct Out.png (50 KiB) Viewed 2589 times
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